Canon EF 6. 00mm f4. Aria Pro 11 Serial Numbers'>Aria Pro 11 Serial Numbers. L IS II USM Lens Review. In what may have been my best ever UPS delivery, I received two of the finest lenses ever made on the same truck. The Canon EF 6. 00mm f4. L IS II USM Lens and Canon EF 5. L IS II USM Lens had finally arrived at the same time. I say finally because a development notice for these lenses had been released nearly two years prior August 2. Formal announcement press releases were issued on February 7, 2. May 2. 01. 1. With the price of these new lenses being so high, I promptly sold the being replaced. Canon EF 5. 00mm f4. L IS USM Lens. and Canon EF 6. L IS USM Lens to fund the new versions. And I planned two big photo trips that would utilize these new lenses. My timing for selling the prior version lenses proved to be very poor. Canon Lens Serial Number Tracking' title='Canon Lens Serial Number Tracking' />Amazon. Canon EOS 5D Mark II Full Frame DSLR Camera Body Only OLD MODEL Camera Photo. The ultimate DSLR for the advanced photographer, the Canon EOS 5D Mark III is a fullframe camera that provides superior quality and speed. The Canon EOS 77D is a high performance DSLR in an inexpensive ultralight package. Theres no real reason to pay more unless you intend to physically abuse it get. It was not until June 2. I had the new lenses in my hands which was of course long after both photo trips. And just after my spring sports season ended. With both identically sized large lens boxes sitting on my studio floor, I began the opening process. The first task is recording the lens serial number for reporting to my insurance agent and to visually inspect the lens. As I placed the first lens on my desk, I was confused as to which model I was about to record the serial number for. I had to read the model from the lens to be sure. Turns out that Canon reduced the weight of the new EF 6. L IS II USM Lens by so incredibly much that I wasnt sure which lens I was holding. The difference in weight between the 6. L IS II and 6. 00 L IS I is dramatic. The 6. 00 L IS Is biggest downside for me was weight. I seldom used the 6. L IS I for situations that required much carrying timedistance I resorted to the 5. L IS I for those scenarios. On many of these occasions, I would have much preferred the longer focal length especially when using full frame bodies. The Canon EF 6. 00mm f4. L IS II USM Lens is now similar in weight to the 5. L IS I that I stepped down to in those situations. I was not overly excited about Canon replacing their 4th generation, circa 1. I was quite satisfied with them. But, with each successive model Ive had the privilege of using, I am being won over to the IS II lenses. They are clearly better in most regards including image quality. Canons IS version II super telephoto lenses are very similar to each other. I said in the Canon EF 4. L IS II USM Lens Review. If you can get past the price, they will blow you away in most other regards. The 6. 00 f4. L IS II is one of the most incredible lenses available and an ultimate choice for wildlife, sports, journalism and any other long focal length needs. This lens features superb image quality even with a wide open aperture, extremely fast AF, 4 stop rated image stabilization and best available build quality. The 6. 00 f4. L IS II is the longest focal length Canon lens available with an f4 max aperture. And the only longer Canon lens is the Canon EF 8. L IS USM Lens. But with a Canon Extender EF 1. III attached. the 6. L IS II even bests this lens at an equivalent f5. The 6. 00 f4. L IS IIs long focal length, especially when used on APS C1. FOVCF bodies 9. 60mm framing equivalency, narrows the scenarios this lens will be used for. Wildlife photographers are going to be one of the largest 6. L IS II user groups. The long focal length enables great wildlife shots from a longer distance avoiding subject disturbance and keeping the photographer a safer distance from dangerous game. The longer focal length also magnifies the background more than wider focal lengths, creating a smoothly blurred background that makes the subject pop. Pftrack Free Download With Crack there. Sports photographers are going to be another large 6. L IS II user group. While this lens will need twice as much light to stop action in than the 4. Mission Impossible Operation Surma Pc. L II, the longer focal length allows subjects to be tighter framed from longer distances. And sometimes keeping the photographer a safe distance from the action is paramount think motorsports. Here is a look at the most frequently used 6. The widest apertures create a great background blur while the narrower apertures keep more of this young white tailed deer in focus. I relied on IS a lot when using the version I 6. L IS lens especially when shooting wildlife. I didnt handhold that lens a lot due to its shoulderback injury inducing weight, but the tripod sensing IS system was quite helpful in reducing vibration. Handholding the 6. L IS II is much easier and I am now relying on IS much more frequently to help me get the shot. I find IS to be an extremely valuable feature for this lens. The 6. 00mm f4. L IS IIs IS is rated at a best available at review time 4 stops of assistance the 6. L IS I was rated for two stops. The Image Stabilizer. Canon USA. Shooting outdoors with no wind and solid footing, I am able to get a reasonable percentage of sharp handheld results. Even after handholding the 6. L IS II for hundreds of shots not easy to do. I was still able to get a usable shot of an eastern chipmunk at an incredible 15 second about 7 stops lower than with no IS. While certainly not tack sharp and ready for a poster sized reproduction, this 5. D Mark III image could be printed sharp at a reasonable size. Perhaps even more amazing is that this chipmunk patiently rested on the rock at a near minimum focus distance away from me. IS test round of several hundred images. The 6. 00 f4. L IS II has three IS modes. Mode 1 is typically used for stationary subjects. Just the stabilized viewfinder this mode provides at 6. Mode 2 IS is used for panning with a subject. In this mode, only 1 axis of stabilization is provided allowing a linearly moving subject to be tracked. The new mode available on IS version II super telephoto lenses is the designed for tracking action mode 3 IS. In mode 3, image stabilization is active and ready for use the moment the shutter releases, but actual stabilization is not in effect until that precise time. The view seen through the viewfinder is not stabilized, and you are able to follow your erratic subjects without fighting against image stabilization. IS Mode 3 is designed to detect panning motion and when detected will only apply Image Stabilization at right angles. IS Mode 2. Mode 3 IS debuted with the Canon 3. L IS II Lenses. I gave mode 3 a significant amount of workout with those lenses and have made mode 3 my standard action setting. Off was my previous choice I usually need a faster than handholdable shutter speed to stop the action I am shooting. Mode 3 on the 6. 00 L IS II is working superbly for me. You will hear some clicking and whirring when IS is active on this lens, but the IS implementation is very well behaved. By this I mean that the image in the viewfinder does not jump around when the system activates. In Mode 3, IS sound will be heard when the shutter release is half pressed, but the image is not stabilized until the precise moment that the shot is taken. Canons super telephoto lenses continue to have a secondary IS mode that automatically senses a tripod being used and, at shutter speeds between 13. The IS system automatically disables itself during tripod use when shutter speeds longer than 1 second are used. My expectations for Canon super telephoto L lens image quality are automatically set very high. Canons theoretical MTF charts strongly hinted that the 6. L IS IIs completely redesigned optics would deliver impressive image quality. II super telephoto lenses being released in 2. And the Canon EF 6.